But what’s it really like? English and Modern Languages

English and Modern Languages is the most popular of our ‘joint schools’ courses that combine a modern language with another subject, and the one for which places are most hotly contested. You can do English with French, or with any one of eight other languages: Spanish, Russian, German, Celtic, Czech, Greek, Italian or Portuguese. The last four of those you can also start from scratch on the course. Full details of what the course involves and how you can apply for it are here,  and below is a short film by those who study and teach on the course to tell you all about it:

Bookshelf Film Club Halloween Special: Les Diaboliques

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posted by Simon Kemp

This time last year we suggested a chilling little ghost story, Guy de Maupassant’s Le Horla, to curl up with for Halloween. This year, it’s the turn of the film club.

Les Diaboliques is a classic French chiller from 1955, based on a tale by the same French crime-writing duo who wrote Hitchcock’s Vertigo, another unsettling splice of the murder mystery and the ghost story. Apparently, Hitchcock missed out on getting the film rights to the story by a matter of hours, as the French director Henri-Georges Clouzot snapped them up as soon as they became available.

In the film, the frail Christina is the owner of a shabby French boarding school. Her brute of a husband is the headmaster, who is openly having an affair with another teacher at the school, Nicole. The two women are not enemies, however. Michel treats them both so badly that they end up forming a bond together, and that friendship leads to a plan to improve both their lives by getting rid of Michel for good…

Lured away far from the school, Michel is sedated by the two women and then drowned in a bath-tub. They then drive the body back to the school and dump it in the murky, leaf-covered swimming pool, with the intention of claiming an accident when the body finally bobs to the surface.

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Then they wait.

No body surfaces.

The pool is drained.

No body is found.

It’s then that things get seriously strange.

One of the schoolboys says he’s seen Michel on the school grounds.

A school photo is taken, and a pale shape can be seen in the window behind the assembled children, a shape that looks like a face. Like Michel’s face.

Nicole and Christina start to think that the persistent questions of the police may be the least of their problems…

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Les Diaboliques is a creepy classic that always features in lists of the best scary movies ever made. It’s ideal for a dark and lonely night around Halloween. Just make sure you avoid the American remake with Sharon Stone which is, ahem, diabolical.

One other thing — the film has one of the best and most famous final sequences in French movie history. Make sure you don’t accidentally find out what’s coming before you see it. And once you’ve seen it, please obey the command at the end of the film, and don’t spoil the ending for others:

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Quiz time!

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Right, it’s time for another Adventures on the Bookshelf quiz! This one is all about faux amis.

Below are two dictionary definitions. The red one is from a French dictionary, the blue one is from an English dictionary. Your job is guess the words being defined. The twist is that the French and English words are both spelled the same way, even though they mean completely different things.

Take a look. (There’s no need to understand every word in the French definition to play the game.)

_ _ _ _ (4 letters)

Petit animal domestique carnassier, à pelage de couleur variée souvent noir ou gris, se nourrissant de souris, de petites proies, et de la nourriture servie par ses maîtres. 

Talk in a friendly, informal way.

So, if you could work out a little of the gist of the French definition (the whole thing translates as: ‘Small carnivorous domestic animal, with variable fur colour, often black or grey, which eats mice, small prey creatures or food given by its owners’), you might have got that it’s a cat, or ‘un chat’ in French, which is a faux ami for the English verb, ‘chat’, meaning… to talk in a friendly, informal way!

OK, got it?

Ten questions below. No peeking at the answers until you’ve had a go at all of them. Time starts now!

 

  1. _ _ _ _ _

Numéral cardinal. Quinze plus un.

Take hold of suddenly and forcibly.

 

2. _ _ _ _

Qui se lave insuffisamment ou mal; qui manque de propreté.

A period during which a shop sells goods at reduced prices.

 

3. _ _ _ _ _

Susceptible de conséquences étendues, de suites fâcheuses, dangereuses.

A hole dug in the ground to receive a coffin or corpse, typically marked by a stone or mound.

 

4. _ _ _ _ _

Composante prédominante du corps humain ou animal, essentiellement constituée des tissus musculaire et conjonctif.

A separate seat for one person, typically with a back and four legs.

 

5. _ _ _

Endroit dans lequel un footballeur doit envoyer le ballon pour marquer.

Conjunction used to introduce a clause contrasting with what has already been mentioned.

 

6. _ _ _ _

Préposition. En échange de, en remplacement de, à la place de.

Flow rapidly in a steady stream.

 

7. _ _ _ _

Partie d’une cuisinière qui sert à la cuisson des aliments.

Even number, less than ten.

 

8. _ _ _ _

Aliment fait d’une certaine quantité de farine mêlée d’eau et de levain et cuit au four

Highly unpleasant physical sensation caused by illness or injury.

 

9. _ _

Arbre à feuilles persistantes longues, étroites, vénéneuses, d’un vert très sombre, à baies rouges, qui est utilisé comme arbre d’ornement dans les parcs, les jardins, les cimetières.

Conjunction introducing a conditional clause.

 

10. _ _ _ _

Organe terminal du bras, formé d’une partie élargie articulée sur l’avant-bras et terminé par cinq doigts.

Chief in size or importance.

 

Answers below the French cat!

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Answers:

1. seize (seize = 16)

2. sale (sale = dirty)

3. grave (grave = serious)

4. chair (la chair = flesh)

5. but (le but = goal)

6. pour (pour = for)

7. four (le four = oven)

8. pain (le pain = bread)

9. if (un if = yew tree)

10 main (la main = hand)

 

How did you do?

7-10 correct: Carrément terrible! 

3-6 correct: Pas terrible.

0-3 correct: Frankly terrible.

 

Like this? Try our fiendish odd-one-out quiz as well!

 

Interview Questions

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posted by Simon Kemp

You might have seen online or in the news recently that Oxford has released some sample questions from our admissions interviews. We’re trying to make the process by which we select our students from the many excellent candidates who apply to us as clear and understandable as possible. We’re also trying to set straight anyone who thinks an Oxford interview typically involves being asked whether you’d prefer to be a satsuma or a grapefruit (with reasons), or being asked to throw a brick through a window, just to see if you open it first. Neither of these, I hasten to assure you, has any part in our selection process! Rather, our questions are straightforwardly based around what you’ve told us in your sample schoolwork and UCAS statement, and what we’ve told you are our selection criteria for the particular course you’ve applied for.

One newspaper  included a sample modern languages question:

Modern languages candidates: What is language?  

Helen Swift, of St Hilda’s College, said: ‘Although I would never launch this question at a candidate on its own, it might grow out of a discussion. 

‘Students sometimes say they like studying Spanish, for example, because they “love the language”. 

‘In order to get a student thinking critically and analytically, the question would get them to consider what constitutes the language they enjoy – is it defined by particular features or by function (what it does)? 

‘How does form relate to meaning? And so on.’

 

I’ve also talked about modern languages interview questions before here, and there’s lots of information about our whole admissions process, including UCAS forms and personal statements, under the ‘Applying to study modern languages’ category of this blog.

Here is the full press release and sample questions released by the university this week:

The questions have been released to mark the deadline day for students to apply to study at Oxford University next year (15 October). Students applying for PPE (Philosophy, Politics and Economics) might be asked about the ethics and economics of bankers’ bonuses, while aspiring engineers might be asked to explain the physical forces that determine whether a ruler stays balanced or topples over when slid along their fingers.

‘We emphasise in all our outreach activity that the interview is primarily an academic conversation based on a passage of text, an object, a problem set or a series of questions relating to the course the applicant has applied for,’ says Dr Samina Khan, Director of Admissions and Outreach at Oxford. ‘But interviews will be an entirely new experience for most students, and we know many prospective applicants are already worried about being in an unfamiliar place and being questioned by people they have not met. We want to underscore that every question asked by our tutors has a purpose, and that purpose is to assess how students think about their subject and respond to new information or unfamiliar ideas. We hope that seeing some of the less obvious questions will reassure prospective applicants that tutors simply want to see how students think and respond to new ideas – we are not interested in catching students out.

‘Interviews are not about reciting what you already know – they are designed to give candidates a chance to show their real ability and potential, which means candidates will be encouraged to use their knowledge and apply their thinking to new problems in ways that will both challenge them and allow them to shine. They are an academic conversation in a subject area between tutors and candidate, similar to the undergraduate tutorials which current Oxford students attend every week.’

Dr Khan adds: ‘It’s important to remember that most interviews build on material students will have encountered in their studies or touch on areas candidates mention in their personal statements. They might include a logic problem to solve for a subject like mathematics, and we will often provide candidates with material to prompt discussion – for example a piece of text, an item to examine, or an image. It is often best to start responding by making very obvious observations and build up discussion from there, rather than assuming that there is a hidden meaning or a highly complicated answer you have to jump to immediately.

‘We know there are still lots of myths about the Oxford interview, so we put as much information as possible out there to allow students to see the reality of the process. We now have mock interviews online, video diaries made by admissions tutors during the interview process, and lots of example questions to help students to familiarise themselves with what the process is – and isn’t – about.’

Here are some sample questions:

Subject: Philosophy, Politics and Economics (PPE)
Interviewer: Brian Bell, Lady Margaret Hall

Q: Why is income per head between 50 and 100 times larger in the United States than in countries such as Burundi and Malawi?

Brian: The question is focused on perhaps the most important economic question there is: why are some countries rich and some countries poor? As with most economics questions, there is no simple or unique answer. Candidates need to think about all the potential reasons why such income gaps exist. A good starting point is to think about whether the amount of capital and technology available to workers in different countries is the same and if not, why not? US workers are much more productive because they have access to the best technology – the US is at the technological frontier. But why do poor countries not just buy the same technology and be as productive? Possibly, the education levels are too low to allow for the use of such technology or perhaps there are insufficient savings to purchase the technology or the infrastructure might not exist. Good candidates should recognise that institutions matter a lot – respect for property rights and the rule of law appear to be pre-requisites for sustainable development. Other factors might include trade restrictions by the rich world on poor countries exports, civil wars, disease (e.g. AIDS, Malaria) etc. The trick is to think widely and not try and fit the answer to some lesson that has been learnt in school.

Subject: Economics and Management
Interviewer: Brian Bell, Lady Margaret Hall

Q: Do Bankers deserve the pay they receive? And should government do something to limit how much they get?

Brian: This is a very topical question in light of the recent financial crisis. A simple answer might be that since banks are generally private firms and workers are free to work where they wish, then the pay they receive is just the outcome of a competitive labour market. In this story, bankers earn a lot because they are very skilled and have rare talents. It is hard to see a reason for government intervention in this case – though on equity grounds one may want to have a progressive income tax system that redistributes some of this income. A good candidate would wonder why it is that seemingly equivalently talented people can get paid so much more in banking than in other occupations. Do we really believe that bankers are so much better than other workers in terms of skill? An alternative story is that the banking industry is not competitive and generates profits above what a competitive market would produce. This would then allow workers in that industry to share some of those profits and so earn much more. In this case, there is a role for government intervention – making the market more competitive. The key point about this question is trying to get candidates to think about the economics of pay rather than just whether they think it is fair or not.

Subject: Biomedical Sciences
Interviewer: Robert Wilkins, St Edmund Hall

Q: Why is sugar in your urine a good indicator that you might have diabetes?

Rob: This question builds on general knowledge and material studied at school in biology and chemistry to assess how students approach a clinically-relevant problem. It’s commonly known that diabetes is associated with sugar (glucose) in the urine; this question asks students to think about why this occurs. Students have usually have learnt that the kidneys filter blood to remove waste products, such as urea, that must be eliminated from the body but many other useful substances which must not be lost – including glucose – are also filtered. Given that glucose is not normally found in the urine, students are asked to speculate as to how it can all be recovered as the urine passes through the kidney’s tubules.
The process involves reabsorption by a carrier protein that binds the glucose molecules and moves them out of the renal tubule and back into the blood. Students should appreciate that, in binding glucose, the carrier will share properties with enzymes, about which they will have learned at school: the capacity to reabsorb glucose is finite because once all of the carriers are working maximally, no further glucose reabsorption can occur. A successful applicant will make the connection that an elevated level of glucose in the blood in diabetes leads to increased filtration of glucose by the kidneys and saturation of the carriers that perform the reabsorption, resulting in ‘overspill’ of glucose in the urine.

Subject: Experimental Psychology
Interviewer: Nick Yeung, University College

Q: Imagine that 100 people all put £1 into a pot for a prize that will go to the winner of a simple game. Each person has to choose a number between 0 and 100. The prize goes to the person whose number is closest to 2/3 of the average of all of the numbers chosen. What number will you choose, and why?

Nick: I like this as a question for experimental psychology because answering it brings in a range of skills relevant to the subject. Partly it involves numerical and analytical skills: the question implies that the answer will be 2/3 of some other number, but which one? Some people’s first guess is 2/3 of 100, i.e., 66 or 67, in which case I’d ask them what numbers everyone else would have to pick for them to win. In this case, everyone else would have to choose 100, which is unlikely. More often people first guess 2/3 of 50 (33), which seems intuitively more likely. At this point, and usually without prompting, the recursive nature of the solution becomes clear: If there is good reason for me to choose 33, then maybe everyone else will choose 33 too, in which case I should choose 2/3 of 33… but then everyone will think this and choose 2/3 of 33 too, so I should choose 2/3 of that number.. and so on. Assuming everyone thinks like this, then everyone will eventually settle on 0 as their choice – this is the formal ‘game theory’ solution. At this point, I’d ask questions that bring out the candidate’s broader reasoning skills in terms of thinking how we could define what it is rational to do in this game. Game theory gives one definition of rationality, but does it give a plausible winning answer – that is, is it likely that everyone, all 100 of them, will go through exactly the thought process we’ve just described? If not, is 0 really a rational answer? The question also has a psychological angle in thinking about reasons for people’s behaviour and choices: Will everyone put in the same effort? Will everyone be motivated to win? When I’ve used this question in live audiences, sometimes people say they’d pick the number 100 just because it’d throw a spanner in the works for everyone playing the game rationally. How should this affect your choice of answer? What if the stakes were increased so that everyone put £1000 into the pot at the start?
What’s clear from all of this is that we’re not looking for a single answer. Rather, we’re interested in seeing how people think through a problem, figure out what are the relevant factors, respond when new information is provided, and so on.

Subject: Engineering

Interviewer: Steve Collins, University College

Q: Place a 30cm ruler on top of one finger from each hand. What happens when you bring your fingers together?

Steve: This would never be the opening question in an interview – we usually start with a first question that gives the candidate an opportunity to get comfortable by discussing something familiar. We then ask more technical questions based on material in the GCSE and A-level syllabi. This question would come later in the interview, when we present candidates with an unfamiliar scenario and ask them to use what they know about familiar concepts (such as friction) to explain something.
Almost everyone in this example will expect the ruler to topple off the side where the finger is closest to the centre to the ruler because they expect this finger to reach the centre of the ruler first. They then complete the ‘experiment’ and find both fingers reach the centre of the ruler at the same time and the ruler remains balanced on two fingers. We like to see how candidates react to what is usually an unexpected result, and then encourage them to repeat the experiment slowly. This helps them observe that the ruler slides over each finger in turn, starting with the finger that is furthest from the centre. With prompting to consider moments and friction, the candidate will come to the conclusion that moments mean that there is a larger force on the finger that is closest to the centre of the ruler. This means that there is more friction between the ruler and this finger and therefore the rule slides over the finger furthest from the centre first. This argument will apply until the fingers are the same distance from the centre. The candidate should then be able to explain why both fingers reach the centre of the rule at the same time as observed. In some cases, particularly if we have not done a quantitative question already, we might then proceed with a quantitative analysis of forces and moments. We might even discuss the fact that the coefficient of static friction is higher than the coefficient of dynamic friction and therefore the ‘moving’ finger gets closer to the centre than the static finger before the finger starts to move over the other finger.

Subject: Oriental Studies
Interviewer: Alison Salvesen, Mansfield College

Q: Can archaeology ‘prove’ or ‘disprove’ the Bible?

Alison: Candidates in my subject come from a wide variety of backgrounds and qualifications, so we generally try to tailor the interview questions to the individual according to what they have on the UCAS form or wrote about in their submitted work, in order to find out whether they have a genuine interest in the subject area and an aptitude for the course.
For this particular question I would be looking for an answer that showed the candidate could appreciate that the Bible was a collection of documents written and transmitted over several centuries, and containing important traditions that have a bearing on history, but that academic study of the Bible means that it has to be examined carefully to see when and where these traditions had come from and for what purpose they had been written. Whereas they should recognise that archaeology relies on non-literary sources preserved from ancient periods such as the remains of buildings and tools. These can often be dated by scientific means (and so appear more objective than literature), but we still frequently need additional information such as inscriptions or evidence from other similar sites in order to make sense of the ancient remains. In the end I would hope the candidate would work towards a realisation of the very different nature of these types of evidence, which sometimes gives a complementary picture, while in others it may be contradictory. Both require very careful interpretation, and just arguing that ‘The Bible says’ or that ‘Archaeology proves’ is much too simplistic. (The same kind of thing applies to archaeology, the Quran, and non-Islamic historical sources for a study of the early Arab conquests.)

100 Good Reasons to Study Modern Languages at University: Reason 93

 

NIAMEY, NIGER - AUGUST 12: Nigerois boys play a game of soccer on August 12, 2005 Niamey, Nigeria. Niamey is the Capital of Niger. Niger is experiencing a food crisis which is threatening the lives of thousands in the impoverished West African nation. A combination of sever drought and a locust plague has caused the famine which has affected at least 2 million people in Niger and approximatly 5 million in the region. Niger is the second poorest country in the world, with 64 percent of the 12 millions inhabitants surviving on less than USD1 (81 euro cents) day. (Photo by Daniel Berehulak/Getty Images)
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French is a growing language. There are currently 220 million French speakers in the world. By the year 2060, there may be 760 million.

A recent study that claimed French would be the world’s most widely spoken language by 2050, overtaking Spanish, English and Mandarin, may have been a bit over-optimistic. Nevertheless, the number of French speakers around the world is growing sharply, especially in francophone Africa. As L’Express discussed in a recent article,  population growth and increasing levels of education in Africa are an important factor in the growth of the language in countries where it is the official language, as well of countries where it plays a mediating role between several local languages, or serves as the language of administration, business and the media.

According to the Observatoire de la langue française, there are likely to be 715 million French speakers in the world in 2050, which is 8% of the expected global population of nine  billion.  This is then forecast to increase to 760 million francophones by 2060. This may well cause it to creep up the rankings of global languages from its current fourth place, behind English, Spanish and Mandarin Chinese.

The centre of gravity of the French language is also shifting southwards. In 2050, 85% of French speakers will be in Africa. That figure rises to 90% of young people aged 15-29, given the starkly different demographics of the European and African continents.

The future is definitely francophone, even if it’s not necessarily French.

Wesh is the word

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The Economist has been looking at how Arabic words find their way into French, particularly French street slang, through the communities of North African origin. We’ll take a proper look at the links of language and culture between France and the countries of the Maghreb (a region including Morocco, Algeria, Tunisia and Libya, and perhaps Mauritania and the disputed Western Sahara) in posts to come. For now, though, here are a few tips you may find useful if you want to hang out with the French cool kids:

WITH a bright “Wesh meuf!” a French teenager hails a friend in slang that would appal linguistic purists. It is the sort of counter-cultural vernacular usually heard on the concrete estates of the outer-city banlieues, where French youngsters of Arab and African descent have long devised an alternative lexicon. But this greeting comes from a white middle-class girl in a posh high school near Paris. Is mainstream French, whose guardians have traditionally fought contamination, embracing more playful disruption than the purists like to think?

The word wesh, from Wach rak? (How are you?) in an Algerian dialect of Arabic, has crossed into mainstream youth culture in all but the snootiest corners of urban France. Meufis a common word in verlan, the French backwards slang that spread in the banlieues in the 1970s and 1980s and which inverts syllables: it upends femme, French for woman. Plenty of other banlieue terms based on Arabic have edged towards the mainstream too, often via rap music, hip-hop or cinema, such as kiffer (to like or love, from kif, the Arabic word for cannabis). This word features in the title of a French novel, “Kiffe Kiffe Tomorrow”, by Faïza Guène. The French embassy even ran a cultural festival in New York entitled “I kiffe NY”.

Some words have become so firmly established in mainstream French (avoir la baraka, or to be lucky, from the Arabic for benediction) that they are considered passé by today’s youth. More contemporary street slang includes avoir le seum (to be annoyed, from the Arabic for poison). Other terms have yet to cross over from the banlieue, their incomprehensibility part of their angry charm.

Until recently, occasional official appropriations of street slang did not imply real linguistic openness. France maintains strict rules limiting the use of foreign words in advertising, packaging or songs on the radio. In 2013 language inspectors investigated 8,475 cases of linguistic rule-breaking. The Académie Française sees English as the “real menace”, and suggests handy alternative French vocabulary for new offenders, such as mot-dièse for hashtag.

Yet to mark French language week earlier this year, Fleur Pellerin, the (South Korean-born) culture minister, gave an important speech in which she applauded “the capacity of our French language to welcome new or foreign words”. Quoting Victor Hugo, she said that French was “not fixed” and that importing and innovating was a source of enrichment. The country’s grand dictionaries now accept some English words, such as le selfie, and some Arabic ones, such as caïd (gang leader). The 2014 edition of “Le Petit Robert” listed chelouverlan for louche (weird).

In reality, French has borrowed Arabic words such as “algebra” and “tariff” since the Middle Ages, and incorporated others, such as bled (village), from the period of French rule in Algeria in 1830-1962. Bred by defiance, street slang by nature resists any stamp of approval, and mutates in response. Since verlan was partly devised as a verbal rebellion against French as the language of colonisation, though, there is something fitting about the ex-coloniser’s language at last embracing the creative result of that revolt.

And while we’re on the subject, if you’d like to test your knowledge of up-to-the-minute French slang, Libération has a handy multiple choice quiz you can try, entitled, Wesh, vieux, tu parles le jeune? Follow the link to have a go.

Great French Lives: Etienne de Silhouette

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posted by Simon Kemp

A while back, we learned that Joseph-Ignace de Guillotin did not invent the guillotine. Today it’s time to discover that Etienne de Silhouette didn’t invent the silhouette, either.

The story is quite a mysterious one, in fact.  The word silhouette, in French and English, originally referred to cut-out profile portraits in black paper, resembling a shadow of the sitter. Like this one, for instance:

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If you go to the Place du Tertre in the Montmartre district of Paris, you’ll probably still get someone try to persuade you to get one of yourself.

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The portraits, and the word ‘silhouette’, originated in the eighteenth century. It’s known that the word is derived from the name of Louis XV’s finance minister, Etienne de Silhouette, but it’s not exactly clear why.

Etienne de Silhouette was born in Limoges in 1709. He was to rise to the rank of contrôleur général des finances at the court of King Louis by the age of fifty, thanks to the patronage of the King’s mistress, Madame de Pompadour. He was appointed to the post in March 1759, but didn’t even make it to the end of the year. Attempting to get state finances into better shape, he advocated cutting spending, getting rid of loopholes that allowed rich state officials to avoid paying tax, and imposing a touch of austerity on the lavish spending of the royal court. This last proposal in particular didn’t go down too well, and he was booted out of office in November of that year, retiring from public life to live on his country estate for the rest of his days.

Silhouette’s attempted reforms led his enemies to call him a skinflint, and his name was soon associated with meanness and frugality. Apparently, breeches without money-pockets were known as ‘culottes à la Silhouette’ at the time. It’s been claimed that this is the reason Silhouette gave his name to the shadow-portraits, either because they were a ‘portrait-on-the-cheap’, or because they thinned people down to a shadow of themselves. That may just be part of the general slander Silhouette suffered after his short-lived stint in control of the nation’s purse strings. Other accounts suggest he was a genuine enthusiast for shadow-portraits, and would sit guests to his home in front of a blank canvas, before using a special lamp to project their shadow onto it for him to draw around.

shadow_puppet

Either way, whether he was an enthusiast for the craft or a victim of some very roundabout insult, it’s unlikely that Silhouette was the inventor of the technique. For starters, shadow puppets have been in use in south-east Asia for at least a thousand years, and it’s known that these ‘ombres chinoises’ reached Europe at around the time we’re talking about, where they became generally popular. As with Guillotin, it seems, the famous name gets the credit, and the real inventor, whoever they may have been, is lost in the shadows.

batman_silhouette_by_icedragon529

Bookshelf Film Club: French TV with English Subtitles

Marie Dompnier as Sandra Winckler

posted by Simon Kemp

It wasn’t Scandi-noir that brought foreign-language drama to British TV and helped the Great British Public finally overcome their subtitle-phobia. When the BBC first showed the all-conquering Danish drama The Killing in 2011, they screened it in the Saturday evening BBC 4 slot that was already home to cult French police drama, Spiral, which was arguably the real ground-breaker in bringing foreign TV to UK audiences. Where they started, others followed, and now, along with five seasons of Spiral, there have been at least three other French dramas fitted up with English subtitles and broadcast over here.

What’s more, they’ve all been successful enough to get released as DVD and Blu-ray box-sets, as well as being available on various streaming services. If you can cope with French TV without subtitles, then there’s obviously masses of material out there to choose from. (The long-running sit-com,  Fais pas ci, fais pas ça, or the sweeping saga of German Occupation, Un village français, are two that are worth a look). But if English subtitles are what you need, then Spiral, BraquoThe Returned and Witnesses are here for your enjoyment.

The four series all tend to specialize in the gritty and/or terrifying. They’re all most definitely post-watershed, and not for the faint-hearted, as you can tell from the trailers below.

Spiral (the French title is Engrenages, which means cogs or gears, but also has the sense of being caught in a trap or a vicious circle) follows a single case through each season, as Laure Berthaud and her team hunt murderers, terrorists and organized criminals, while unscrupulous lawyers and judges play power games above their heads. The first five seasons are available on DVD, and Season Six is currently in production.

https://youtu.be/BoLvBmdnyaE

 

Braquo is another police drama with murky moral boundaries and some shocking violence. Four police officers will stop at nothing to clear the name of their colleague, hounded to suicide by false accusations. Three seasons of it were shown on Sky.

 

Probably the biggest TV phenomenon, though, was The Returned (Les Revenants), the supremely spooky supernatural drama shown by Channel 4 last year. In an isolated Alpine town, loved ones start returning to their families. They’re in good shape, ravenously hungry, and feeling more or less fine, if suffering from a bit of memory trouble. The only problem is, they’re  dead. Even the trailer is terrifying — watch it if you dare!

 

And most recently, there has been Witnesses (Les Témoins), another detective drama, but with more of the otherworldly creepiness of The Returned than the gritty urban feel of Spiral and Braquo. Someone is grave-robbing in the little Normandy town of Le Tréport,  and breaking into new-build show-homes to arrange the bodies in grisly parodies of family life. There’s also an escaped killer on the run from a nearby prison, and it all has something to do with the detective who caught him, whose photo is left at one of the show-homes. It was a hit on British TV last month, is due out on DVD in October.

We’ll talk about each of them in more detail in future posts. In the meantime, with French TV drama in something of a golden age, there’s no better time to get stuck in.

PS. And now there’s another one! Resistance, a TF1 drama about teenagers involved in the French Resistance during the Second World War Occupation by Nazi Germany, is currently showing on More 4, and available online here.

The View from the Other End of the Tunnel

Channel tunnel Eurostar Eurotunnel train

posted by Simon Kemp

It’s always interesting to see how news in your country gets reported abroad, and it’s particularly interesting when France and Britain are both reporting on a story that concerns both of us. The refugee and migrant crisis at the Eurotunnel in Calais is one such story. It’s had a lot of coverage over here and a fair amount in France too, although the French reports have a rather different tone to them. Slate.fr recently published an article on the whole affair. You can find it here. (Watch out, though! They’ve given it a rather, erm, eye-catching headline in English…) After some remarks on British attitudes to the tunnel, and to foreigners in general, the author gets on to the current situation. Here’s an extract, with some of the trickier vocabulary picked out in bold and listed under each paragraph:

(UPDATE: The article pre-dates the death of Aylan Kurdi, the photos of whom on a Turkish beach have so dramatically changed the debate in recent days. Here is another French article on Calais published since.)

Chaque semaine, des milliers de migrants tentent de traverser la Manche par le tunnel qui a fini par être ouvert en 1994. Ces aspirants voyageurs sautent par-dessus les tourniquets—ou, plus précisément, franchissent les immenses grillages proches de l’entrée du tunnel aux environs de Calais, en France. Dans des scènes dignes du pire cauchemar de John Bull, réfugiés, demandeurs d’asile et migrants économiques essaient désespérément de sauter à bord de camions à destination de la Grande-Bretagne et, espèrent-ils, d’une vie meilleure (en clients avertis, les migrants savent que la vie, en tout cas lorsqu’elle est évaluée en termes d’emploi et de statistiques économiques, est plus douce dans le pays de Shakespeare que dans celui de Racine).

sauter par-dessus les tourniquets: jump the barriers

digne de: worthy of

le pire cauchemar: worst nightmare

le demandeur d’asile: asylum seeker

le client averti: smart customer

Comme il était à prévoir, les événements de Calais ont déclenché les mêmes peurs incontrôlées et le même langage désinhibé qui bardait les premiers débats britanniques autour du tunnel. Fin juillet, dans un article orné de photos de gendarmes français échouant à regrouper des migrants ou se contentant de les regarder courir sous leur nez, le Sun a braillé «Les Frenchies sont atroces!» Pour ne pas être en reste, le Daily Mail a claironné que le cri de ralliement des migrants était: «C’est l’Angleterre ou la mort», et le journal en a profité pour exiger de savoir quand le Premier ministre David Cameron entendait «agir». Les tabloïds, jouant sur les souvenirs de 1940, ont raillé la lâcheté de la réaction française devant la vague de migrants tentant d’entrer dans le tunnel et appelé le gouvernement britannique à faire intervenir l’armée.

Comme il était à prévoir: As might have been expected

déclencher: trigger, set off

désinhibé: uninhibited

échouer à faire qq ch: fail to do something

Pour ne pas être en reste: So as not to be left out

entendre faire: intend to do

railler: mock

Cameron n’a pas encore mobilisé l’armée mais en revanche il n’a pas manqué de faire appel à ses réserves rhétoriques. Lors d’une visite officielle au Vietnam, il a utilisé le mot«nuées» pour décrire les milliers de migrants désespérés qui tentent de forcer le passage dans le tunnel. Plus souvent utilisé pour qualifier des insectes que des êtres humains, ce mot a probablement eu plus de succès auprès des lecteurs du Mail que d’organismes comme la filiale britannique de Médecins du Monde, dont le directeur a observé que ce que Cameron appelait des «nuées» était en réalité «des gens ordinaires—des mères, des pères, des filles et des fils—qui vivaient dans les conditions les plus atroces qui soient et que personne ne devrait avoir à supporter.»

en revanche: on the other hand

faire appel à: call up, call upon (i.e. Cameron isn’t mobilizing the army, but he’s calling up his reserves of rhetoric)

la nuée: swarm

un organisme: (here) organization

la filiale: branch

les plus atroces qui soient: the worst possible (literally, ‘the most atrocious that might be)

Se déclarant «très préoccupé» par la situation à Calais et plus particulièrement par les kilomètres de camions attendant sur les autoroutes anglaises de pouvoir entrer dans le tunnel, poussé à la fois par les problèmes de sécurité qui se posent dans le tunnel et par les équipes en grèves dans les ferries français, Cameron semblait également soucieux de la réaction de la France. Il a tapé sur les doigts des Français, évoqué les sommes—plus de 4,7 millions d’euros— déjà dépensées par son gouvernement pour renforcer le réseau de sécurité autour de l’entrée du tunnel côté français, et promis d’affecter 10 millions d’euros supplémentaires à la sécurité du tunnel.

en grève: on strike

soucieux de: concerned about

taper sur les doigts de qqn: rap someone on the knuckles

le réseau de sécurité: security cordon

affecter: (here) allocate

 

Subtitling Geordie Shore

mzl.ymibantr.200x200-75

What’s it like to be fluent in more than one language?

What language do bilingual people dream in?

Are they more emotional in their one language? More rational in another?

Never mind those questions. How about these:

How does stand-up comedy work in India, when performers and audience members may speak English, Hindi, Tamil, Urdu or several other languages, and not necessarily the same ones?

And most importantly, what’s it like to be employed to watch entire seasons of MTV reality show Geordie Shore, translate all the dialogue into your native language, and then try to boil it down into coherent subtitles?

Yes, Geordie-Shore-Subtitler is a real job, that actual people are doing across Europe right now at this very minute. Would you like to meet one of them? And would you like to find out how “I should have a degree in pulling women” comes out in German subtitles?

Of course you would.

Well, all these questions are answered here. It’s an episode of the BBC Radio Show, Fry’s English Delight called English Plus One, in which Stephen Fry looks at bilingualism, and talks to people who combine English with another language.  He finds out what it’s like to live in two languages at the same time, and also why it might be a good idea to pick up a second language and become bilingual yourself.

StephenFry_landscape

The programme is thirty minutes long and available to listen to (in the UK at least) until the end of September. Geordie Shore in German is around twenty minutes in.

 

A blog for students and teachers of Years 11 to 13, and anyone else with an interest in Modern Foreign Languages and Cultures, written by the staff and students of Oxford University. Updated every Wednesday!