The Oxford German Network are delighted to announce the launch of this year’s ‘A German Classic’- our annual essay competition for sixth-form students. This year we would like to invite you to read with the novel All Quiet on the Western Front by Erich Maria Remarque’s (1898 – 1970), regarded by some as one of the greatest (anti-) war novels of all time.
We have put together a free study pack, including a set of multimedia materials, that will help you delve into this fascinating text. We will guide you through topics ranging from the novel’s first person narrator Paul Bäumer, to depictions of nature and a disconnect between a younger and an older generation.
We also encourage all students interested in entering the competition to sign up for a free study pack (including the physical book in both German and English) by 12 noon on 1st July via this link.
Up to three prizes will be awarded: For the essay competition, we will award a first prize of £500, a second prize of £300, and a third prize of £100 (Prizes may be awarded jointly, in which case the prize money will be split). Prizes will only be awarded if work is of sufficient merit. All entrants will receive a Prize Certificate or a Certificate of Participation.
All details about eligibility, study packs, essay questions, submission, judging criteria and more, can be found here.
The deadline for submission is 12 noon on Wednesday 9th September 2026.
The Oxford German Network are delighted to announce the launch of this year’s ‘A German Classic’- our annual essay competition for sixth-form students. This year we would like to invite you to read with us a selection of poems by Rainer Maria Rilke (1875 – 1926), widely regarded as one of the most important German-language poets.
In addition to our essay competition, we introduce a Discovery Section designed especially for those with no prior knowledge of German, making the competition more accessible than ever.
We have put together a free study pack, including a set of multimedia materials, that will help you delve into Rilke’s compelling poems, even if it’s the first time you’ve read a poem.
Source: The Poetry Foundation
Selected poems:
Der Panther (The Panther)
Das Einhorn (The Unicorn)
Jugend-Bildnis meines Vaters (Portrait of My Father as a Young Man)
Römische Fontäne (Roman Fountain)
Das Karussell (The Merry-Go-Round)
Spanische Tänzerin (Spanish Dancer)
Archaïscher Torso Apollos (Archaic Torso of Apollo)
Papageien-Park (The Parrot House)
Die Flamingos (The Flamingos)
Der Ball (The Ball)
Prizes:
Up to three prizes will be awarded for each section:
for the essay competition, we will award a first prize of £500, a second prize of £300, and a third prize of £100
for the discovery section, we will award a first prize of £200, a second prize of £100, and a third prize of £50.
Prizes will only be awarded if work is of sufficient merit. All entrants will receive a prize certificate or a certificate of participation.
Study Packs:
Throughout July, we will be publishing ideas for further reading and free multimedia resources, including a series of podcast episodes we recorded especially for this competition, on our website.
We also encourage all students interested in entering the competition to email their UK correspondence address to the Prize Coordinator Santhia Velasco Kittlaus (germanclassic@mod-langs.ox.ac.uk) by 12 noon on 10 July to receive a free study pack.
After 10 July, study packs will be posted for free to those who request them by this date. If you get in touch after this date, we cannot guarantee to post you a full pack, but we will email you a copy of the secondary literature reader.
Eligibility:
Entrants must fulfil the following requirements as of September 2025:
be beginning their final year of full-time study at a secondary school in the UK (upper sixth form, Year 13 or S6 in Scotland);
be between the ages of 16 and 18;
hold a GCSE, IGCSE or equivalent qualification (in German for the essay) offered in the UK;
be resident in the United Kingdom. Entrants are not, however, expected to have prior experience of studying German literature.
Entries can be submitted via two online forms — here and here. The deadline for submitting your entry is Monday 8th September at 12 noon.
More details about the prize — including essay questions, submission guidelines, judging criteria, and more — can be found here.
There is still time to enter the Oxford German Network’s essay competition for sixth formers, ‘A German Classic’, offering prizes of £500, £300, and £100!
Whilst our registration deadline to receive free copies of our set text Schiller’s Die Räuber has passed, we still welcome entrants who will receive all of the online resources we provide for the 2024 prize.
Die Räuber is a play that revolves around the big questions of sentiment and reason, freedom and law. The plot centres on the brothers Karl and Franz Moor and their dispute over their father’s affection and inheritance. Karl is slandered by his younger brother Franz, whereupon their father disowns Karl. Karl becomes the leader of a feared band of robbers but remains both haunted by his bad conscience and true to his noble intentions. Meanwhile the greedy and calculating Franz sets out to claim his father’s inheritance for himself and win over Karl’s fiancée Amalia.
Schiller wrote Die Räuber when he was around twenty years old and it made him immediately famous when it was first performed in 1782. Ever since its premiere, this rebellious play has triggered strong reactions from audiences and prompted social debates that have lost none of their relevance. Explore them for yourself by studying Die Räuber in the original – one of the iconic works of world literature!
ELIGIBILITYCRITERIA
Entrants must fulfil the following requirements as of 11 September 2024:
be beginning their final year of full-time study at a secondary school in the UK (upper-sixth form, Year 13 or S6 in Scotland);
be between the ages of 16 and 18;
hold a GCSE, IGCSE or equivalent qualification in German offered in the UK, or have at least an equivalent knowledge of German, as confirmed by their teacher;
be resident in the United Kingdom.
Entrants are not, however, expected to have prior experience of studying German literature.
Great news: Round 2 of the Oxford German Olympiad 2024 is now open for entries! The Olympiad is an annual competition run by the Oxford German Network for learners and speakers of German from ages 9 to 18.
The theme of this year’s Olympiad is Kafkaesque Kreatures, taking inspiration from the animal stories by Franz Kafka (1883-1924), who gave the German and English languages the word kafkaesk / Kafkaesque to describe a weird, disturbing experience.
Image taken from the Oxford German Network website.
There are three Round 2 tasks to choose from this year, with exciting cash prizes for the winners of each task:
Oxford German Network Task
The White Rose Prize: Einen Brief schreiben
Camden House Book Proposal
Winners and runners-up will be invited to a prize-giving ceremony at the Bodleian Library, University of Oxford, in June 2024.
Further details about the tasks and the competition in general can be found here. The deadline for all entries is 7 March 2024at 12 noon.
Please note:
students may enter only one of the three Round 2 tasks
there are age restrictions for each task
Round 1 and Round 2 of the Olympiad are separate competitions. Students may enter both, but do not need to have entered Round 1 in order to enter Round 2.
There’s also still time to enter Round 1! Find details here.
Have you ever wondered what it’s like to continue studying a subject you love, beyond an undergraduate degree? Well, wonder no more! Further study is a popular route taken by our graduates, whether it’s completing a Law conversion, a PGCE, or a DPhil [1] . On the blog this week, current DPhil student in German, Isabel Parkinson, explains what this means and entails…
Being a DPhil student is to exist in a strange, liminal space between the student bubble and the real world. You’re straddling the boundary between town and gown; certainly no longer an undergraduate – in fact, you’re probably teaching them! – but still going to college formals, still claiming a student discount whenever the chance should come your way. I was an undergraduate here at Oxford, and I’m a third-year DPhil student now – not quite long enough to have produced a full thesis, but long enough to have noticed the biggest differences between the two degrees.
Expertise
Even if you are just a couple of weeks into your DPhil research, you’ll have crafted a research proposal that is so niche, and so specific to you, that you are probably already a world expert in your own little field. It’s possible that nobody else in the Faculty will be looking at your chosen author or text, or will have considered your topic with the particular slant that you have put on it, or will have seen the archive material that you’re accessing.
Isabel presenting her research at a conference.
How often you meet with your supervisor will depend on what you both decide, but there is a real possibility that you could go for at least a fortnight without seeing anybody else (theoretically, at least – I do not advise doing this). It’s a personal choice, how much you fill this time and what you fill it with: you may choose to take on teaching commitments, to convene this seminar or that reading group, to deliver outreach, to present at conferences.
Instead of tutors asking you questions to which they already know the answers, your supervisor(s) will ask you for your opinion and input because they recognise it as valuable, informed. It’s a disquieting feeling at first; similar to when the GP asks you what treatment you fancy for whatever ailment you’ve presented them with. But as you’re trusted to set your own working pattern, your hours, your deadlines, as the bare bones of your research proposal get fleshed out, the feeling of being a clueless undergraduate pushed, blindfolded and disoriented, into a world of Real Academics, begins to fade.
People
The end of an undergraduate degree brings an end to tutorial partners, college classes, lectures. Rather, as a DPhil, you will likely mix much more with people in fora not specific to your degree – the MCR [2] , perhaps your scholarship or funding group, on projects or at conferences. It generally means coming into contact much more frequently with people working on very different research – oncology, music, archaeology, politics, anthropology… you get the sense very quickly that you could assemble an unbeatable University Challenge team.
St Hugh’s College, Oxford
Unlike school, undergraduate, and maybe even Master’s, a DPhil cohort is also a much broader cross-section of ages and life stages. I spend an inordinate amount of time saying to new acquaintances, variously, ‘nooo, I can’t believe you’re thirty-seven!’ or ‘wow, so – yes, you were still in primary school when I was a Sixth Former?!’ Mixing with people who have spent years in the working world, or who are married or have children, helps to remind you that life is a little broader and bigger than your laptop screen and your library desk, in a way which the undergraduate world seldom does.
Time
Unlike at undergraduate level, there is more of a sense at DPhil level that you are expected to have a rich life outside of your research. Three senior academics have now told me, independently of each other, that one never has as much free time again after the DPhil – so enjoy that time; read widely; explore new topics; do those things that you didn’t get time for as an undergraduate.
View of the Radcliffe Camera from Exeter College
Focus
From swapping between ten or so subjects at GCSE, three or four at A-Level, a plethora of assorted papers or modules at undergraduate – a DPhil is the culmination of an increasingly specialised focus across your academic journey.
Rather than the constant working towards deadlines as an undergraduate – handing in a completed essay for a tutorial and, Sisyphus-like, beginning the whole process again with a fresh title – you spend three or four years focussing on one title, one big research question. That focus will shift as you get better at research, get worse, and then get better again, as you read more texts and soak up more opinions – but that’s what keeps the whole process so absorbing.
Isabel Parkinson
St Hugh’s College | DPhil in German
[1] Doctorate of Philosophy. The PhD is known as the DPhil in Oxford.
[2] MCR (Middle Common Room): The self-governing body and social centre for graduate students in a college. Fourth year students are also granted MCR membership. The MCR is also a room located in the college.
The Oxford German Network are delighted to announce the launch of the 2023 edition of ‘A German Classic’ – Oxford’s essay competition for sixth-form students. This year we invite you to read Franz Kafka’s DerHeizer (1912/13).
It is the first chapter of the unfinished novel Der Verschollene (‘The Man Who Disappeared’), narrating the beginning of the story about 17-year-old Karl Rossmann. The story addresses themes including family and friendship, migration, identity and encounters with the foreign, be it a person of a different nationality, social status or gender. It is a story about growing up, finding one’s way in a foreign land, and personal (in)stability. The experiences Kafka evokes for the reader with his narratives are so distinctive that they have given rise to the word ‘Kafkaesque’. Get a sense of what it means by studying Der Heizer in the original – one of the iconic works of world literature!
ELIGIBILITY
Entrants must fulfil the following requirements as of 8 September 2023:
be beginning their final year of full-time study at a secondary school in the UK (upper-sixth form, Year 13 or S6 in Scotland);
be between the ages of 16 and 18;
hold a GCSE, IGCSE or equivalent qualification in German offered in the UK, or have at least an equivalent knowledge of German, as confirmed by their teacher;
be resident in the United Kingdom.
Entrants are not expected to have prior experience of studying German literature.
PRIZES
Up to three prizes will be awarded: a first prize of £500, a second prize of £300, and a third prize of £100. Prizes will only be awarded if work is of sufficient merit. All entrants will receive a Prize Certificate or a Certificate of Participation. Results will be announced in early October 2023.
STUDY PACKS
Sign up here by 5pm on Friday 30 June 2023 to receive free physical copies of the German original and an English translation of Kafka’s novel Der Verschollene, the first chapter of which is the set text of the competition. The website will also give you access to a set of free multimedia resources and essay writing guidelines created and curated by us especially for this competition. All physical study materials will be dispatched in early July.
For further information, please have a look on our website.
Here at Oxford, the Faculty of Medieval and Modern Languages welcomes applications for German at all levels. This means that if you haven’t studied the language at A-level, you can still apply to study Beginners’ German as part of your degree.
Excitingly, 2023 marks the first year that prospective students can apply to study Beginners’ German as part of our Joint Schools degrees. This means that you can combine learning German from scratch with another of the following Humanities subjects:
Classics
English
History
Linguistics
Philosophy
So, if you’re hoping to study one of these subjects, but are interested in learning a new language, why not choose Beginners’ German?!
Take a look at our brand new video below to learn more about studying German for Beginners at Oxford, and to hear about the experiences of our current students who have chosen this excellent option!
Students taking Beginners’ German will receive intensive language tuition during their first year and further targeted language support specific to their needs during their second year. From the start of their course they will have some teaching on narrative works together with the post A-level group, and they will be fully integrated from the start of the second year, with access to all the course options in linguistics, literature, film and culture.
During the course, Oxford’s tutorial system and small-group language teaching will enable students at all levels to receive the appropriate tuition for their needs, which will build on the knowledge they have already acquired.
The Oxford German Network (OGN) are delighted to make two exciting announcements: firstly, the 2022 German Classic Prize is now open for entries! Secondly, the OGN will also be running a new Classic Conference for Year 12 students this year – see below for further details!
‘A German Classic’ Prize 2022
1st Prize: £500 2nd Prize: £300 3rd Prize: £100
Deadline: Wednesday 14 September 2022, 12 noon
2022 marks the sixth round of ‘A German Classic’ – our essay competition for sixth-form students! This year we would like to invite you to read with us Annette von Droste-Hülshoff’s captivating story Die Judenbuche published in 1842.
Annette von Droste-Hülshoff, often called Droste by friends and family, was one of the most influential German-speaking female authors of the 19th century. Her work Die Judenbuche is sometimes considered to be the first murder mystery, containing elements of a crime thriller and gothic novel. Filled with plot twists, Doppelgänger, grisly murders, and red herrings, Die Judenbuche explores how human nature is shaped and (de)formed, confronting us with existential questions of good and evil and all the greyscales in between.
Over the coming weeks, we will release further resources and provide insights into the text and its author on our webpage (where you can find more information and resources) and via Twitter. Together we will explore the text, discussing topics ranging from uncanny Doppelgängers, deadly curses, and 18th-century slavery, showing you the enduring relevance of this 19th-century text.
For all details about eligibility, study packs, essay questions, submission, judging criteria, and more, see here.
We encourage all students interested in entering the competition to email their UK correspondence address to the Prize Coordinator (Natascha Domeisen: germanclassic@mod-langs.ox.ac.uk) by 12 noon on 25 June to receive a free study pack.
*****
German Classic Conference 2022
Tuesday 21 June 2022 | Jesus College, Oxford, Ship Street Centre
We are delighted to announce the launch of the first German Classic Conference for Year 12 students on the topic of Die Judenbuche by Annette von Droste-Hülshoff. This half-day conference will provide insights into the text, its key themes and translations in brief lectures and undergraduate-led discussions. There will also be a tour of Jesus College and the Fellows’ Library with the opportunity to enjoy some German treasures of the Jesus College collection. We are looking forward to exploring this German Classic with you!
Programme 11.45 – 12.25 Registration and Lunch 12.30 – 13.10 Introduction to Die Judenbuche (short lectures and Q&A) 13.15 – 14.00 Lost in Translation? Die Judenbuche in German and English 14.05 – 14.40 Tour of Jesus College and Fellows’ Library 14.45 – 15.15 Group Discussion of key themes with undergraduates 15.15 – 15.45 ‘More than a Whodunnit?’ Undergraduate Panel Discussion with Q&A 15.45 – 16.15 Tea and Departure
To download the programme as a PDF, please click here.
Please note: Attendance at the conference is not a condition of entering the German Classic Prize competition 2022. More details about the Conference (including specifics about entry requirements, travel costs and accommodation) can be found here.
Choose one of the tasks appropriate for your age group. All tasks to be completed in German, unless indicated otherwise.
Years 5 and 6 (age 9-11):
Draw a picture of a barge on the Rhine. Label the 12 most important items.
You are attending the “Basler Fasnacht” (carnival of Basel) or “Kölner Karneval” (carnival of Cologne). Design your costume and give your drawing or painting 10 labels.
Draw a comic strip of the Rhine and the places it flows through.
Years 7 to 9 (age 11-14):
Draw or paint a picture of creatures that live in and by the Rhine, and write a short text describing them.
Write about a day in your life on Lake Constance (der Bodensee) in a prehistoric stilt house (Pfahlbau) – “Ein Tag am Bodensee in der Bronzezeit”.
Draw a scene from Heinrich Heine’s poem „Die Loreley“ and describe what is happening.
Years 10 and 11 (age 14-16):
“Rheingold”. Write a story or create a video inspired by the Nibelung treasure.
Create an online exhibition about the famous castles along the Rhine.
Give a video presentation about the historical importance of the Rhine.
Years 12 and 13 (age 16-18):
“Wie sichern wir die nachhaltige Zukunft des Rheins?”. Plan a conference for 16-18 year olds including the advertisement and programme with keynote lectures and topics for roundtable discussion.
Write an essay, give a video presentation OR create a website on one of the following topics associated with places on the Rhine: “Hildegard von Bingen”, “Die Geschichte des Zeppelins” OR “Der Kölner Dom”.
Write an essay or video yourself giving a lecture on the following topic: „Schlagader Europas: Die Geschichte des Rheins”.
Open Competition for Groups or Classes (4+ participants):
Create a website for a Rhine river cruise.
Write and illustrate a children’s book about acat living on a Rheinschiff (Rhine barge).
Create a graphic novel or a video featuring characters or storylines from the “Nibelungenlied”.
Discover German – Taster Competition (1-3 participants with no prior experience of studying German):
Years 5 and 6: Find out what the following German words mean and draw a picture including all these items, each with a label: der Fluss, das Ufer, die Brücke, das Haus, das Schiff, der Hügel, die Burg, die Fahne, der Fisch, die Nixe.
Years 7 to 9: Draw or paint a picture of the whole Rhine and label the countries (in German), 10 cities and 10 things you would be likely to find in or along the river.
Years 10 and 11:Create a crossword puzzle or game that includes the names of 15 places on the Rhine or words associated with the Rhine.
Years 12 and 13: Research words formed with (a) Fluss, (b) fließen and (c) flüssig. Give one or more translations for each word (the translation may consist of more than one word).
On Tuesday 12 January 2021 the Faculty hosted our first virtual literature masterclass for sixth-form students. The event usually takes place in Oxford each January but, as with most things this academic year, it has been necessary to move it online. We were joined by around 80 Year 12 and 13 students from nine different schools; colleagues led eleven parallel workshop sessions, each focusing on a different set text from the French, Spanish, or German A level curriculum. Participants were able to get a flavour of how tutorial teaching works, and to get to grips with some in-depth literary analysis. The virtual format enables us to broaden our geographical reach, and we hope to be able to offer similar sessions to more schools over the course of the year.
We’ve also begun producing a series of short videos focusing on particular literary techniques. You can find these over on our YouTube channel, on the playlist titled ‘Literary Masterclass for Sixth-Formers’. To date we have videos for French on ‘Perspective’, ‘Theatricality’, ‘Time and Tense’, and ‘Lexis and Imagery’, and a video for German on ‘Perspective’. Over time we hope to add more to the collection, with videos for Spanish learners as well as more for those studying German. Do subscribe to our YouTube channel to receive a notification when we upload a new video!
A blog for school students and teachers and anyone else with an interest in Modern Languages and Cultures, written by the staff and students of Oxford University. Updated every Wednesday!
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